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The Social History of Smoking

George Latimer Apperson

Chapter 7:

Fielding himself smoked his pipe. When his play "The Wedding Day" was produced by Garrick in 1743, various suggestions were made to the author as to the excision of certain passages, and the modification of one of the scenes. Garrick pressed for certain omissions, but—"No, damn them," said Fielding, "if the scene is not a good one, let them find that out"; and then, according to Murphy, he retired to the green-room, where, during the progress of the play, he smoked his pipe and drank champagne. Presently he heard the sound of hissing, and when Garrick came in and explained that the audience had hissed the scene he had wished to have modified, all Fielding said was: "Oh, damn them, they have found it out, have they!"

Simon Fraser, Lord Lovat, the crafty old Jacobite who took part in the rising of 1745 and who was executed on Tower Hill in 1747, was a smoker. The pipe which he was reported to have smoked on the evening before his execution, together with his snuff-box and a canvas tobacco-bag, were for many years in the possession of the Society of Cogers, the famous debating society of Fleet Street.

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The Social History of Smoking

George Latimer Apperson

Chapter 2:

It may be noted, by the way, that the gallant had no hesitation about smoking in the presence of ladies. Gostanzo, in Chapman's "All Fools," 1605, says:

And for discourse in my fair mistress's presence
I did not, as you barren gallants do,
Fill my discourses up drinking tobacco.

And in Ben Jonson's "Every Man out of his Humour," 1600, Fastidious Brisk, "a neat, spruce, affecting courtier," smokes while he talks to his mistress. A feather-headed gallant, when in the presence of ladies, often found himself, like others of his tribe of later date, gravelled for lack of matter for conversation, and the puffing of tobacco-smoke helped to occupy the pauses.

When our gallant went to the theatre he loved to occupy one of the stools at the side of the stage. There he could sit and smoke and embarrass the actors with his audible criticisms of play and players.

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